martes, 20 de febrero de 2024

LA TORRE DE DAVID / “THE WHITE ELEPHANT” Ángela Bonadies & Juan José Olavarría


We watched it for a long time from the outside

And pondered its form.


The altered grid represented a promise that had cracked

or was mere fiction. And that revealed on its surface

the tussle between abstract and figurative art.


We tried to get in several times, but the rainy season started

and the tide, as always, became turbulent. It collapsed as well,

of course, like many others across the country.


We went round and round its base, trying to understand

its magnitude and to establish a common language

with this giant that had run aground. We surrounded it.

We climbed the slopes of a decadent paradise where the lower

levels and the top levels evoked different and separate eras:

From the horizontal, with its patio and the sun filtering

in from above, to the vertical, with the central atrium

and the sun that was dominated by a suffocated cage

of now broken mirrors.


We finally arrived at a dilapidated red door that led us

into its body, throughout which we journeyed.

The starting point was a concrete desert, an impressively open

and clean structure, symmetrical and substantial,

that connects several of the animal’s organs, perforated by

repeated holes that shrink in perspective toward the sky

like an emptied out or inverted column.

Towards the innards the battle between shapes and shadows,

between reality and fiction emerges again,

with vehicles and objects that come from different decades,

in different states of disrepair.


The beast’s stomach is broad, much larger than the rest,

guarded by sharp teeth, as if it were a jail,

a church or army barracks.

There are many things on show and others that are hidden.

The brutal disproportions increased as we climbed higher this

punctured cathedral that reveals juxtaposed layers of meaning.

At several moments we beheld a sense of the “eternally

unfinished” which concerned Simón Rodríguez when he

noted: “things should be half made while they are being made”.

For therein breathes the beast-cathedral of the sunny climes

of American Societies.


We found signs of a certain tropical “perseverance”, as always

occurs beneath the highways of our South American life,

where stubborn and twisted plants and trees emerge

from the gaps and joints, like “in the heart of darkness”

but in the concrete jungle, greenness finds its way

in and hangs down like some surprising

and ensnared presence, seeking out the light.


Worryingly precarious spaces appear, like the end of a story

or “shoa”. Endemic symptoms that have not shifted for decades

And things that “should be half made while they are

being made” are left that way forever.


We walk through cultural prehistory, and it is shocking,

in a voyage in space and an even longer trip back

to a remote time.


History that is built and that comes falling down again

represented in an almost young enormous and robust body

whose skeleton is entirely broken.


Organic and pathological, bearing the marks of interventions

and cuts, the big white whale, aggrieved in its local

translation, the big white elephant, steadfast and devastating:

a backdrop for battles.


And still, the romantic, exotic gaze enchanted by the magic

religious system, with the distant and untamable animal

from society’s prehistory, with tribal spatial constructions

inside the beast, with the hierarchical heart of a crowned chief

and subjects of nothingness.


With a state of unfinished, unnamed things.


And still there is a certain gaze through the binoculars of

civilization that applauds far-off stories of murders and rapes,

that here can only give rise to power disguised asthe dogma

of faith, to the stomach that does not chew but ingurgitates,

to the eyes of those who give orders and make categories.


Inside: social classes, hierarchies, exclusion, false missions

And hundreds and thousands who need a roof over their head.


The beast disguises itself as horizontal terrain,

clad in participatory camouflage. But the truth is,

there is only one head that decides what it tolerates

or desecrates and that regiments—as it does in the whole

country—the side it controls.


What’s left in the organism is repelled or confined to an “other”

state. To a state of exception that could last a thousand years.

To a space-cum-nation where the beast becomes home

and where the raving plans of the shepherd-captain of souls

become law.

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